Sites. Structures. Materials.

Sites. Structures. Materials. Sites. Structures. Materials. Sites. Structures. Materials.
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Sites. Structures. Materials.

Sites. Structures. Materials. Sites. Structures. Materials. Sites. Structures. Materials.
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  • RESEARCH
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Local Technique

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PURPOSE

How are endings made? Or rather, what are they made of? Better yet, how does the end’s material inform new beginnings? These questions propel Local Technique.


Local Technique is a Toronto-based not-for-profit organization working at the intersection of architectural conservation and waste tracing possible futures and entangled pasts of sites, structures and materials. Through interdisciplinary research and projects, Local Technique is a practice of careful listening, creative probing, and critical thinking. 


Understanding building demolition and deconstruction to be a form of material production, Local Technique considers how it is returned to the land. In doing so, it asks: how does (building) material displacement constitute an act of design? Taking cues from the cumulative architectures it occupies, it asks: how do materials themselves both persist and resist?  How do they shape and reflect longer trajectories?


Often working in collaboration, Local Technique draws together a constellation of histories, geographies and actors, to offer a portrait of architecture - not a static object - but as a moving project.  In doing so, it aspires to prompt consideration of the sites beyond the site, of architecture’s remainders and discards and the processes which create it. 



PROSE

What makes a place, a place?

It is that which remains

and that which has been displaced.

It is a social stratigraphy embedded in 

buildings of brick, glass and concrete, 

dimensions of road, overlooked vegetation, 

and the storied materials contained therein.

It is also the movement of these pieces -

a tectonic choreography  

which extracts and extrudes, mixes and moulds.

This shape-taking process

- a Local Technique - 

occurs in the working and living,

the wrecking and rearranging 

the gathering and building.

At both the center and periphery,

entangled matter is returned

beloved though contaminated,  

inherited and inhabited by generations

of wild life.

initiatives

RESEARCH

RESEARCH

RESEARCH

 Operating at the intersection of architectural conservation and waste, Local Technique conducts interdisciplinary research that explores underlying patterns of material use and exposes new ways of conceptualizing the relationship between past and future landscapes.

PROJECTS

RESEARCH

RESEARCH

 Through collaborative and independent projects, Local Techniques explores themes of erasure, accumulation, movement and transformation.  Created and presented in a range of settings, these  projects explore the multiple, entangled values of sites, structures and materials. 

people

Alison Creba is the founder and principal investigator at Local Technique. Her research explores themes of demolition, deconstruction and displacement and investigates the physical and cultural landscapes generated through these processes. She holds a Master degree in Heritage

Conservation through Carleton University’s School of Indigenous

Alison Creba is the founder and principal investigator at Local Technique. Her research explores themes of demolition, deconstruction and displacement and investigates the physical and cultural landscapes generated through these processes. She holds a Master degree in Heritage

Conservation through Carleton University’s School of Indigenous and Canadian Studies. She

held a public appointment on the City of Toronto’s Circular Economy Working Group

(2019-2021), has conducted research at ERA Architects (Toronto- 2017) and Rotor (Brussels -

2018) and made recent contributions to AD magazine, the Journal of Cultural Heritage

Management and Sustainable Design, the Architectural Conservancy of Ontario’s Toronto

Branch. She is a faculty member of Willowbank school for Restoration Arts and its Center for

Cultural Landscapes. In addition to this, Alison has a background in the arts and trades,

experience which supports her role as Building Operations Manager of  Wychwood

Barns, a heritage structure converted into residential, studio and community spaces.

Friends of Local Technique

ARCANA RESTORATION

 Arcana Restoration Group Ltd. are a group of heritage masons with a specialization in local brick, wiht a passion for history and the environment. They often work with reclaimed brick and salvaged masonry from local quarries to preseve local architectural vernacular. Often working with deconstruction outfits, Arcana also play a large role in advocating for material reuse while maintaining strong integrity for their work. They combine a respect for heritage, craftsmanship, and materials with hard work to deliver a quality product for both their team and clients. 

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OUROBOROS DECONSTRUCTION

 Ouroboros Deconstruction was founded by Meredith Moore as the culmination of a years-long passion for adaptive reuse and sustainability and first-hand experience within the spheres of architecture, design, construction, and demolition. Recognizing the underutilization and lack of appreciation for existing materials coupled with contemporary society’s throw-away culture, she realized that a shift in perspective was desperately overdue. Moore has made it her mission, both privately and professionally, to help people better understand just how much high-quality, salvageable material already exists and the value in its reuse.  

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GIAIMO

Giaimo is a Toronto-based architecture firm integrating design and heritage conservation who have been implementing deconstruction and material re-use on a variety of projects to conserve, and thus leverage, the existing embodied energy and carbon of a building. They are committed to bridging the gap between the well-established deconstruction research that exists across academia and international precedents with the current state of the real estate, construction, architecture, and building industry in Ontario. 

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WASTE HERITAGE RESEARCH

Waste Heritage Research is an online workplace for research developing at Carleton University on the relationship between heritage conservation and architectural waste.  Led by professor Susan Ross, the material assembled here builds on work of the last decade looking at notions of sustainability within heritage and environmental conservation discourses.

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ROTOR

Rotor is a Brussels-based cooperative design practice that investigates the organisation of the material environment. Internationally recognized as forerunners in sustainable architecture, Rotor develops critical positions through research and design. Besides projects in architecture and interior design, the firm also produces exhibitions, books, economic models and policy proposals.

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BUILD REUSE

Founded in 1994, Build Reuse is a national organization dedicated to empowering communities to turn construction and demolition waste into local resources. A hub for knowledge and experience in the field, Build Reuse brings together practitioners, policy makers and academics to address the challenges and opportunities embedded in the construction and demolition sector in North America

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FROM LATER

 From Later is a foresight studio that monitors and makes sense of change, developing clear-sighted and judicious futures perspectives. Develop tools and ways of working that augment our faculties for research, problem-solving, and creativity. Explore the capacities of art, science, theory, and strategy to address complex challenges.

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